Gerçure (A Touch of flu)
1988 - 17 min. - fiction - Umatic video
French with English subtitles
Because of her leaky boots, a young woman
catches a big flu. She talks about it as if she was
a tv news anchor. A French journalist investigates.
A doctor explains the case. Joe six-pack gives us
his opinion..
with Isabelle Guilbault, Jacques Bureau and
Vratislav Hadrava
presentation
When Isabelle Guilbault went to present
Gerçure at the Jeux de la Francophonie in Rabat in September
1990, she had caught the ‘flu, owing to the hotel’s full-throttle air
conditioning. The audience thought that it was her natural state,
despite the fact that the role had been magnificently composed with the
help of make-up artist Mireille Ouellet.
Fiction caught up with life.
credits
woman with the flu
Isabelle Guilbault
professor
Vratislav Hadrava
reporter
Jacques Bureau
voice of French radio
Dominique Roustain
(non credited)
and extras of
Mont-Royal metro
director of photography
Normand Fortin
music and sound design
Jean Corriveau
sound recordist
Justine Pimlott
cameras
Gilles Lavigne
Anne-Marie Monette
special effects
Denis Rice
make up
Mireille Ouellet
assistant camera
and video record
Josée Morin
assistant director
Suzanne Méthé
continuity
Chantal Neveu
images Super 8
et montage
Jeanne Crépeau
assistant editor
Anne-Marie Monette
sound editing technician
Richard Angers
re-recording
Jean Corriveau
graphic arts
Manon Briand
a vidéo by
Jeanne Crépeau
thanks to Michel Sénécal and
Suzanne Kassabgui du
Dépt. des Communications of UQAM
Louise Brodeur and
Christophe Flambard of Vidéographe
co-production
Les films de l’autre inc. and
Le Vidéographe inc.
The very clever Normand Fortin in the appartment where we shot Gerçure.
notes
I started
this video as part of my studies at the University of Quebec in
Montreal, with my partners in crime Normand Fortin, Gilles Lavigne,
Josée Morin, and Chantal Neveu. My colleagues motivated me to
direct an exercice despite the fact that I was very sick.
I made my most autobiographical (sic) film. I had the pleasure of
working with an actress that I had seen performing in our secondary
school troupe: Isabelle Guilbault. I remember the irrepressible fits of
laughter that often arose, which we managed to contain during takes.
Gerçure travelled widely, thanks to the joyful dynamism of Jean Tourangeau and Luc Bourdon from Vidéographe.
I presented the film in Berlin in February 1989. When the train arrived at the border of the Deutsch
Demokratische Republik, a German officer
placed a temporary visa in my passport.