|
|
|
|
|
|
|
|
Marie-Hélène
Montpetit,
Stéphanie Morgenstern, Danielle
Trépanier and Denise Ménard
|
|
|
|
|
|
|
|
|
|
Stéphanie
Morgenstern, Danielle Trépanier and
Denise Ménard
|
|
Léa-Marie
Cantin and Roc Lafortune
|
|
|
|
|
|
|
top left:
Jean-Claude Mocik, Chantal Dagosneau,
Josée Boisvert, Bruno Bazin,
Marie-France Delagrave, Jo Caron, Dominique
Roustain, Manon Briand, Carole Demers,
Stéphanie Morgenstern, Rejean
Goderre, Benoit Pilon,
Marie-Hélène Montpetit,
Chantal Neveu, Rafaël Reyes, Sylvaine
Dufaux, Justine Pimlott, Danielle
Trépanier, Denise Ménard,
Jeanne Crépeau and Mireille Ouellet holding the slate.
|
notes
Filming
began in the spring of 1988. I had received a production grant from the
Conseil des Arts du Canada and for the first time, I experienced the
precious sensation of being supported in my work, thanks to
Françoise Picard and Christian Mondor. Also thanks to the
indefatigable Arlette Dion from the Aide au Cinéma
Indépendant section of the National Film Board.
Our small crew invaded a house, on the corner of Duluth and Coloniale, with offices, and a workshop and bedroom on every floor.
My friends Dominique and Jean-Claude had made the trip from Paris to
join us, even though the union had obliged them to occupy positions
beneath their abilities. It was the third film I did with
Marie-Hélène Montpetit and the first with Stéphanie
Morgenstern (with whom I later shot Julie and Me). Our canteen was
Achour’s place opposite.
After the shoot, I left for the Canadian Center For Advanced Film
Studies (CFC). For months, I frequented train stations and took night
trains between Toronto and Montreal, passing my weekends editing and my
weekdays at the Center.
Slightly dazed from all of these trips, it was only after finishing the
re-recording of the film that I decided to take out the direct sound of
the dialogues of the three friends, which where too realistic in
comparison with the fantasy of the rest of the film. I replaced them
with bla-bla-blas that I did myself at the NFB’s vocal recording studio.
After this session, and for many years to come, when I came across him
in the corridor, the very serious recording technician favoured me with a
huge grin.
Later, distributors Claude Forget and Richard Brouillette from Cinéma Libre warmly supported the film.
|
|
awards
Mention "one of the most outstanding films of the
year" London FIlm Festival 1990
Special Jury Mention at Uppsala Short Film Festival 1990
Best directing, Best music, Best experimental film at
Yorkton short film festival 1990
Jury Honorable Mention at the Festival of Festivals, Toronto 1989
credits
young woman in the appartment
Marie-Hélène Montpetit
young woman in the park at the end
Paula de Vasconcelos
the three friends
Danielle Trépanier
Stéphanie Morgenstern
Denise Ménard
the two italians
Roc Lafortune
Léa-Marie Cantin
young man alone in the café
Stephen Craig
young woman alone in the café
Josée Chaboillez
two lovers
Charlotte Laurier
Denis Trudel
fish store lady
Ariane Lee
guy on the bus
Stéphane Lestage
guy at the station
Gérard Soler
waiter
Benoit Pilon
graffiti artist
Pol Turgeon
repeat extras
Vratislav Hadrava
Jean Turcotte
Isabelle Guilbault
Carole Faucher
other extras
thanks to all our friends
images
Sylvaine Dufaux
Jeanne Crépeau
Yves Bélanger
editing
Richard Comeau
(Mine de rien)
sound design
Catherine Van Der Donckt
(Pépita Broadcast)
Jeanne Crépeau
(non crédité)
music
Marc Pérusse
«tango des copines»
music by Jean Saint-Jacques
sound
Justine Pimlott
Catherine Van Der Donckt
(Pépita Broadcast)
set design
Manon Briand
costumes
Josée Boisvert
make up
Mireille Ouellet
hair
Réjean Goderre
casting consultant
Marie-Jan Seille
assistant director
Bruno Bazin
continuity
Chantal Neveu
assistant camera
Jean-Claude Mocik
Claudine Galipeau
boom
Marie-France Delagrave
still photographer
Manon Briand
(and Sylvain Campeau
and Jeanne Crépeau - not credited)
jey eletric and grip
Rafaël Reyes
electric assistant
Paule Biron
set painter
Stephen Craig
carpenter
Jean-Serge Boucher
assistant to the set designer
Geneviève Legault
trainee to the set designer
Jo Caron
trainee director
Chantal Dagosneau
production manager
Benoit Pilon
location managers
Carole Demers
Sylvain Arseneault
Dominique Roustain
production assistants
Nathalie Roy
Michel Briand
postproduction manager
Richard Comeau
associate producer
Joan Shafer
administration
Richard Mondoux
negative cut
Bellevue Pathé Québec inc.
musicians
Jean Saint-Jacques
Richard Beaudet
assistant to sound editor
Mine de rien
(Richard Comeau)
folley
Lisa Wedlock
re-recording
Jean-Pierre Joutel
Daniel Pellerin
graphic arts
Manon Briand
English translation
Suzanne Harwood
«Justine’s song»
is sang by
Geneviève Paris lyrics by Jeanne Crépeau
Suzanne Harwood and Geneviève Paris
music by Marc Pérusse
Justine's film
written, directed and produced
by Jeanne Crépeau
thanks to
Bruno Jobin of Zone Productions
Patrick Arnaud of cinéma Parallèle
Raymond Brassard of Centre Auclair
Guy Beauchemin of Pinceau d’Arlequin
Dwight Smith of Zibra
Manu Lépine of Moliflex
Adriano Cameiro of Patisserie Stella
Don Haig of Film Arts
and specially to
Cyril Drabinsky of Film House
also thanks to
Céline Baril
Josée Beaudet
Monique Bessette
Boris Chasagne
Robert Daudelin
Louis Dusseault
Edouard Davidovici
Arlette Dion
Raôul Duguay
Pierre Grou
Suzaznne Kassabgui
Paul Lefebvre
Ghislaine Mathieu
Christian Mondor
Albanie Morin
Michel Murray
Fraçoyse Picard
Léa Pool
Michka Saal
Marie-Claude Trépanier
thanks to the staff of the
Canadian Film Center for Advanced Film Studies
(CFC)
and to all the NFB technicians
produced with assistance from
Canada Arts Council,
NFB French Program and its
Aide au Cinéma Indépedant
(Québec)
and from Indie programm of the
Université du Québec à
Montréal
with financial support from
Société générale des
industries
culturelles du Québec
A very special thanks to
every cast and crew member who
supported that production
in a very essential way.
© les films de l’autre 1989
|
|